Associate Lighting Designer
TRAINED: Guildhall School of Music & Drama.
RSC as Lighting Designer: Candide and All’s Well That Ends Well.
THEATRE as Lighting Designer includes: Chimerica (Almeida/Pinter); Strangers On A Train (Gielgud); Once A Catholic (Tricycle & Royal Court Liverpool); The Full Monty (Noel Coward and National Tour); Calendar Girls (National Tours); Ghost – The Musical (National Tour – co-design with Hugh Vanstone); Philadelphia Here I Come! (Donmar); Megan Mullally & Supreme Music Program, Alan Cumming – I Bought a Blue Car Today (Vaudeville); Party (Arts); The Dark At The Top Of The Stairs (Belgrade, Coventry); Our Brother David (Watford Palace); Wondershow (Roundhouse); The Go Between (West Yorkshire Playhouse); Bronte (Shared Experience); The Rime of the Ancient Mariner (Royal Festival Hall); My Dad’s a Birdman (Crucible, Sheffield); That Face (Tron, Glasgow); Restoration (Salisbury Playhouse); Fuchsia (White Bear); Lucky You (Assembly Rooms).
OPERA: The Calling of Maisy Day (Welsh National Opera).
AS ASSOCIATE: to Hugh Vanstone: Matilda (RSC), Ghost (Broadway, West end and Manchester), The Wizard of Oz, La Bete, Deathtrap (West end), God of Carnage (West end and UK tour), Boeing Boeing (UK tour), The Real Thing (Old Vic), The Late Middle Classes (Donmar); to Howard Harrison: Love Story (West end), Viva Forever! (West end); to Chris Davey: Caucasian Chalk Circle (West Yorkshire Playhouse and UK tour) and assistant to Wolfgang Goebel: The Cunning Little Vixen (Grange Park Opera).
Whilst studying at the Guildhall School of Music and Drama Plenty dir Tom Daley (Guildhall Theatre), The Revenger’s Tragedy dir Ed Dick (Bridewell).